Wednesday, February 8, 2017

The Counterculture & you


The Beatles, Circa 1960s. Men wearing long hair in the 60s were
commonly frowned upon but The Beatles fought
practiced gender norms in their music and bold fashion choices.
From taking the History of the 1960’s under Stephen Berrey at UMICH, I have learned an extensive amount about the history of the counterculture and musical movement from then on. The counterculture movement in the 60’s brought a new generation of consumers who received their biases through the music and speeches they heard on the radios and in large gatherings. With the atrocious political atmosphere developing during the 60’s, people searched for ways to find their voice in the governmental haze. Popular talk of the 60’s was on the topic of the Vietnam war, the counterculture movement, Watergate, Jim Crow, Stonewall, etc. This was a time of war and of political rifts in several different aspects that shaped aspects in shopping habits through attempts to fund the war or to create a more fulfilled life living the fun easy-going counterculture life. The fun life came with a world of peace of people and love of mother Earth. These “hippies” preferred their protests through hymn styled songs given to them by the stars of the counterculture. These pilgrims for peace found a political voice in their music where they had deities like Lou Reed, Janis Joplin, The Grateful, and Bob Dylan. Stories of opposing the government, its’ lies, the war, and more told through song created a following. This group of people became influenced in other aspects of their movement from their styles of clothing, their leisure activities and even to religious ideals. This political motion became a lifestyle that shaped consumer behavior in the 60’s. 

Janis Joplin, 1969. The girl who sang
“I’d like to do a song of great social and political import” at
 the famous original Woodstock in her traditional hippie counterculture garb.

Woodstock: The famous 1969 Woodstock gathering of many popular politically motivated musicians like Jimi Hendrix, Mamas & Papas, Joe Cocker, & The Who. Joplin is seen in traditional 60’s “hippie” fashion which largely consisted of paisley and flower print, bright colors, bell bottom jeans, and long hair all for men and women. These voices of the counterculture created a uniform for its followers to easily distinguish who believed in the mainstream movement. The beliefs of civil rights, rejecting the Vietnam War, Cold War, and gay & women’s rights. The enjoyment of political activism bled to the audience and influenced their purchases as the culture of hippie fashion grew in influence to denote their symbolic ties to the counterculture movement.

Vanessa Hudgens & friends at Coachella 2016 in hippie counterculture
influenced fashion.
Coachella: Beginning in 1999, a new generation of musical activists were created in the culture of “Coachella”, an annual music and arts festival in California. New fashion styles have been influenced by those seen from the previous Woodstock festival in the spirit of bringing back a similar spirit. The idea of a political voice through music is still relevant in today’s world as artists like Childish Gambino, Kendrick Lamar, and Run the Jewels. Speaking on current political and social imports is seen in our society in the 2016 Run the Jewels song, “2100”, where lyrics say;

“How long before the hate that we hold
Lead us to another Holocaust?
Are we so deep in it that we can't end it?
Stop, hold, ever call it off
It's too clear, nuclear's too near
And the holders of the molotov
Say that "Revolution's right here, right now"
And they ain't callin' off”.

The theme of a fight for equality in a range of aspects has a long history but a similar message for the counterculture followers and other equal rights advocates. Outside of the counterculture movement, similar morals influenced other music styles, like in Sam Cooke’s 1964 song, “A change is gonna come”, where he says;

            “Then I go to my brother
And I say brother help me please
But he winds up knockin' me
Back down on my knees, oh
There have been times that I thought I couldn't last for long
But now I think I'm able to carry on
It's been a long, a long-time coming
But I know a change is gonna come, oh yes it will”

He depicts the negativity found during the Jim Crown era acted upon him while asking for a better life, similar in what Run the Jewels and more preached through their music.

            The counterculture movement in the 60’s brought a new generation of consumers who received biases through the music and speeches they heard on the radios and in large gatherings like political speeches and politically motivated concerts. In Chapter 7 P 122-125, Consumer Attitudes, we talked about how value is added depending on consumer attitudes towards the product. If a consumer feels that the product is valuable, they are more likely to buy into it and help fund its success. Like the counterculture and music, the artists were supported by the following and the following supported through concerts sales and idolatrous beliefs of these lyrical heroes through similar fashion choices, eating habits, and musical advocacy. The value in the counterculture movement was heightened because of its political views that gave a voice to the citizens who could not speak for themselves. This adds a high functioning of attitude in these hippie consumers through utilitarian and knowledge components. Being associated with the counterculture meant you followed the same beliefs as they did, dressed similar, and were similar in overall aspects; creating the hippie counterculture brand. I have been to concerts ranging from The Jonas Brothers to USS to Joan Jett, and Heart. Each held a different message within their music that pertained to current events and feelings of the time showing a continuation in the idea of political liberation in the art form. Other music examples have been posted on a Spotify playlist:


Disclaimer: some music may have triggering speech because of racial and sexual injustice speech and because of the sensitive subject matter some music may contain cursing or vulgar language but will be labeled as "explicit".


Babin, B., & Harris, E. (2016). In CB 7 (7th ed., pp. 27-29). Boston, MA: Cengage Learning.